Sunday, April 28, 2013


Of course we should welcome David Mamet into the ranks of self-published authors.  Isn't the great of Broadway and Hollywood attesting that it is OK to self-publish? Our website,, already said so.

But let us not claim any victories. On the contrary, his joining us only makes things more complicated.

Mamet’s decision to do his next book without a traditional publisher does not mean that self-publishing will stop being discriminated: he will enter center stage, already  successful and we will now start hearing literary bigots say: “Some of my best friends are self-published.” They will continue with the canard that the majority of indie writers aren’t treated as equals because of their own fault.  They won’t say that “all self-publishing is garbage” anymore, but that enough of us are.  Most of the second class citizens of scribedom will still be tarred and feathered.

Well, people, we did not start self-publishing because we had David Mamet’s choice of a celebrity. We came to it because the publishing society didn’t give new talent a chance,well before we could turn our backs to it once POD and e-books became possible.

For the great majority of self-published writers, nothing will change: We are forced to take time from book-writing to devising marketing schemes on the internet, and to set siege to libraries’ castles, begging for access to the reading public. Don’t let me started on bookstores, as they are sore with us for being sold by their arch-enemy Amazon and for listing our titles with the merchandizing giant..

It doesn’t occur to booksellers that self-published authors would gladly list their books with them, if they would only agree to sell our titles. It is like shoe-stores refusing to sell boots that aren’t mass-produced. Or supermarkets rejecting local produce, no matter what quality.

When print and network media mention self-publishing, it isn’t to review the literary value of the works, but only as subject in business sections, treating it as a contraband and a thorn in the side of publishing houses. The reviewers don't review us simply because we don't have the imprimatur of one of the international conglomerates.

The “auditions” self-published books. A panel of three judges grants them (or not) our Seal of Good Writing and enters them into a catalog of Well Written, Well Edited, Unknown Books. They are indeed fit to be read; tell it to your librarian and book-seller: they seem to be deaf.

Self-published authors have a long way to go. By definition autonomous individuals, writers can’t organize strikes. But we can join as members of The and walk together on the long, uphill climb to recognition and acceptance of the many worthy books we produce.

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